| 000 | 01129cam a2200193 4500 | ||
|---|---|---|---|
| 001 | 8834 | ||
| 003 | GR-AtEMST | ||
| 005 | 20230810194835.0 | ||
| 008 | 230729s9999 |0| 0 |d | ||
| 020 | _a978-3-956794-60-5 | ||
| 040 |
_aGR-AtEMST _bgre _dGR-AtEMST _eAACR2 |
||
| 082 | 1 | 4 | _a750.1 |
| 245 | 0 | 4 |
_aThe observer effect : _bOn contemporary painting |
| 260 |
_aBerlin : _bSternberg Press, _c2019 |
||
| 300 | _a316 σ. ; 21 εκ. | ||
| 500 | _a"In The Observer Effect: On Contemporary Painting, poet and critic Barry Schwabsky looks at the different directions that painting has taken since the turn of the millennium. He deflates the twentieth-century belief that abstraction and figuration in painting are dichotomous. Instead, Schwabsky argues, they are methods of asking or answering the questions: What is painting? What can painting become in an observer's encounter with it? This wide-ranging selection of texts emphasizes the coextensive work the viewer brings to painting alongside the artist - the construction of form and meaning."--publisher's website. | ||
| 700 | 1 |
_aSchwabsky, Barry _4edt _93023 |
|
| 942 | _cBK | ||
| 999 |
_c39090 _d39090 |
||